In order to further reveal the socio historical context of new media literary production and its technical logic, Deleuze′s theory of ″Becoming″ is used as a starting point for the study of the intentional structure of new media technologies and for exploring the subject, time and space that constitute the basic anchor points of the domain of new media literary production. The new media literary ″becoming″ reveals three aspects. Firstly, the subjects in the new media literary production domain have become intersubjectivity of human-computer, forming a collaborative human-computer production. Secondly, time is born as constellation time and discussed in terms of the enhancement of time productivity, the development of in - between time, and the exit of time depth consciousness. Thirdly, nomadic space proliferates spatial productivity through the conquest of physical space, the fusion of different spaces and the creation of heterogeneous spaces, providing a practice site for technological art and transmedia storytelling.