“浮竞”风尚促使魏晋诗坛形成了以“丽藻”为主要评价标准的审美观念,也促使诗坛“求丽”的倾向持续流行,并最终在西晋时期形成“繁缛”的特征。伴随这一过程,魏晋诗坛展现出三点新变:第一,“赋”成为诗歌创作的主要手法,促使诗歌日渐靡丽;第二,形成“先辞后情”的审美标准,“为文造情”现象突出;第三,文人乐府诗的格调得到提升,并实现了“化俗为雅”的转变。

The prevalent competition for fame in the Wei and Jin dynasties facilitated 'the beautiful rhetoric' as the main aesthetic evaluation standard in poetry circles. As a result, the tendency of 'the pursuit of the beautiful rhetoric' was popular and there eventually formed overelaboration in the Western Jin Dynasty. Along with this, three changes appeared in poetry circles of the Wei and Jin Dynasties: elaboration becoming one of the main technique of poetry writing, making poetry magnificent; formation of the aesthetic standards of emotion after word, with prominent “germinal emotion for words”; the literary styles of Yuefu Poetry being promoted, changing vulgar into elegance.