论后焦菊隐时代的北京人艺

李扬

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PDF(673 KB)
广州大学学报(社会科学版) ›› 2014, Vol. 13 ›› Issue (6) : 88-91.

论后焦菊隐时代的北京人艺

  • 李扬
作者信息 +

On Beijing People's Art Theater in the Post-Jiao-Juyin Era

  • LI Yang
Author information +
History +

摘要

北京人民艺术剧院走过了60年的旅程。60年来,她不但成为了中国话剧艺术的最高艺术殿堂,形成了自己的演剧学派,在世界范围内也产生了广泛影响。新时期以来,北京人艺在主旋律、商业化重重包围的情况下,创作了一批实现了时代精神和普世价值的内在统一的代表剧目,超越现实主义、现代主义、民族化概念的藩篱,深化了人们对现实主义的导演理念的理解。与此同时,北京人艺的表演艺术家们通过自己的努力,做到了真正意义上的“形”“神”兼备。

Abstract

Beijing People's Art Theatre has had a 60-year journey. She not only has become the highest art palace of China drama, with a drama school of her own, also have a wide influence in the world. In the new period, though surrounded in the atmosphere of main melody and commerce, Beijing People's Art Theatre has created a lot of representative repertoire with the spirit of the times and the universal value, transcending realism, modernism and nationalism, and deepening the understanding of the concept of realistic direction. At the same time, through their own efforts, the artists in Beijing People's Art Theater have achieved the unity of form and spirit.

关键词

北京人艺 / 演剧学派 / 现实主义 / 表演风格

Key words

Beijing People&apos / s Art Theater / drama school / realism / acting style

引用本文

导出引用
李扬. 论后焦菊隐时代的北京人艺. 广州大学学报(社会科学版). 2014, 13(6): 88-91
LI Yang. On Beijing People's Art Theater in the Post-Jiao-Juyin Era. Journal of Guangzhou University (Social Science Edition). 2014, 13(6): 88-91

参考文献

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基金

教育部新世纪优秀人才支持计划资助项目(NCET-07-0451)
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