晚清羌族诗人董湘琴,通过丰富多彩的典故,为其边塞行吟长诗《松游小唱》植入了深厚的文化内蕴。诗人穿梭古今,典故运用驱策自如。《松游小唱》的典故可分为意象性典故、引言性典故、叙事性典故三种类型;其用典的美学意蕴又表现在自然疏野之美、雄浑劲健之美、悲慨沉著之美三个方面。透过用典,深入诗人复杂多面的内心世界,可窥探其尊古重今的价值准则、抒难解患的责任意识、离俗向道的精神追求。
Abstract
Dong Xiangqin, a Qiang poet in the late Qing Dynasty, embedded profound cultural connotations in Ditty in Pine Woods, a long frontier poem with abundant and colorful allusions. The poet shuttled between the ancient and modern times and had a good mastery of allusions. Allusions in this poem are divided into the imaginal, introductory and narrative ones; and the implicational aesthetics of allusions are the beauties which are natural and unrestrained, vigorous and forceful, and grieved and steady. By making best use of allusions and looking into the complicated and multidimensional inward of the poet, we can explores his value norm of respecting the past and cherishing the present, his awareness of responsibility of solving problems and relieving from difficulties, and his spiritual pursuit of departing from worldliness and yearning for Taoism.
关键词
诗人 /
董湘琴 /
松游小唱 /
用典
{{custom_keyword}} /
Key words
Poet /
Dong Xiangqin /
Ditty in Pine Woods /
Allusion
{{custom_keyword}} /
{{custom_sec.title}}
{{custom_sec.title}}
{{custom_sec.content}}
参考文献
[1] 叶大锵,罗骏声.士人传(上)·文学[M]//灌县志·卷十一.成都:美利利印刷公司,1933:45.
[2] 贺敬之.贺敬之谈诗[M].北京:人民文学出版社,2004:138.
[3] 李延寿.高隆之传[M]∥北史.北京:中华书局,2013:1946.
[4] 赵翼.查初白诗·一[M]∥瓯北诗话.北京:人民文学出版社,1963:152.
[5] 流沙河.十二象[M].上海:三联出版社,1987:155.
[6] 潘万木.典故与意象[J].荆楚理工学院学报,2012(10):12-19.
[7] 叶舒宪.神话-原型批评[M].西安:陕西师范大学出版社,1987:16.
[8] 董湘琴.骚兴集.松游小唱[M]∥傲骨山房主人抄本.1923.
[9] 荣格.人、艺术和文学中的精神[M].北京:华夏出版社,1989:81.
[10]李广茂.隐喻视野中的诗兴传统[M].北京:高等教育出版社,1998:75.
[11]宗廷虎,李金苓.中国修辞学通史·隋唐五代宋金元卷[M].长春:吉林教育出版社,1998.
[12]葛立方.韵语阳秋[M].上海:上海古籍出版社,1984:7.
[13]范文澜.文心雕龙注[M].北京:人民文学出版社,1958年.
[14]遍照金刚.南卷·论文意[M]∥文镜秘府论.北京:人民文学出版社,1975:127.
[15]张国庆.二十四诗品诗歌美学[M].北京:中央编译出版社,2008.
[16]赵黎明.废名新诗理论与中国“自然”诗学传统[J].湖南大学学报,2011(2):90-94.
[17]张表臣.珊瑚钩诗话·卷一[M]∥历代诗话.北京:中华书局,1981:450.
[18]王水照,高克勤.陆游选集[M].北京:人民文学出版社,1997:214.
[19]羊村.解放思想大胆创作新体诗歌[J].文化月刊·诗词版,2006(11):111-113.
[20]宗廷虎,李金苓.中国修辞学通史[M].长春:吉林教育出版社,2001.
[21]刘绍瑾.以比较的视野看刘勰的复古文学思想[J].江西社会科学,2004(7):179-186.
[22]闻一多.唐诗杂论[M].苏州:古吴轩出版社,2013:27.
[23]张起.董湘琴松游小唱:最后的边塞长诗[J].社会科学论坛,2014(7):185-194.
[24]路云亭.盛唐边塞诗文化性征[J].太原师范学院学报,2008(4):80-88.
[25]谢榛.四溟诗话·卷三[M]∥历代诗话续编下.北京:中华书局,1986:1179.
[26]郭绍虞.中国历代文论选·文赋[M].上海:上海古籍出版社,2011:66.
[27]孙克强,范松义.庄子的“从俗脱俗”与诗学的“以俗为雅”[J].河南大学学报,2002(6):8-13.
[28]孙雍长.天下[M]∥庄子.广州:花城出版社,2011:459.
[29]王继鼎.关于诗歌的一点反思[J].老年文学,2007(2):52.
[30]袁宗道,等,著.三袁文选[M].唐昌泰,选注.成都:巴蜀书社,1988:56.
{{custom_fnGroup.title_cn}}
脚注
{{custom_fn.content}}
基金
教育部人文社会科学研究规划基金项目(11YJA850030)
{{custom_fund}}
PDF(1759 KB)
