自方苞倡“雅洁”之风,桐城文士一以贯之,但不可忽略的是其切时因变后的承古开新。研究者对其风格多统以“雅洁”来论,对其内部文风的流变缺少应有的关注。而自清代中期开始,桐城文士以参阳刚、雄健之气来救其弊。方东树、刘开、曾国藩、吴汝纶、张裕钊等皆有努力的尝试。而桐城文由“雅洁”到“雄健”再到“雅健”风格的变化,是对清代文学与学术作出的回应,也是古文一体自身发展的诉求。
Abstract
The writing style of grace was initiated by Fangbao, and the writers of Tongcheng followed. But it was not negligible that it was newly opened after changing. The researchers have been concerned about the flow of its internal style with the theory of ″yajie″. And since the mid-Qing Dynasty, the Tongcheng writers had employed the masculinity and vigor to save its disadvantages. Fang Dongshu, liu kai, Zeng Guofan, Wu Rulun and Zhang Yuzhao tried their best. The stylistic change of Tongcheng prose from ″grace″ to ″vigor″ is a response to the Qing Dynasty literature and scholarship, which is also the pursuit of the development of the ancient prose.
关键词
雅洁 /
雅健 /
桐城派 /
文学生态
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Key words
grace /
vigor /
Tongcheng /
literary ecology
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