比较奥尔森诗学和巴赫金的对话理论可以发现,二者存在诸多契合之处。奥氏诗学无论是在技术原则还是哲学指导上都具有对话性。这种对话性来自他与前辈和同辈诗人的对话。奥氏没有逃避正典或权威的声音,而是和这些声音对话,让它们在他的开放诗学中占有一席之地。奥氏的《翠鸟》一诗在受话性、需要回应的语言、引用他人话语和用典等方面,充分展示了对话性。该诗的对话性说明,奥氏的诗歌不是诗人自我的抒发,而是创作过程中各种声音的融合。
Abstract
A comparison of Olson's poetics and Bakhtin's dialogism can find that they have a lot in common. Olson's poetics is dialogic in both technical principles and philosophy. This dialogic attribute derives from Olson's dialogue with poets from preceding and current generations. Instead of dodging canonical and authoritative voices, Olson has a dialogue with them, ushering them into his open poetics. Olson's The Kingfishers demonstrates dialogism in its addressivity, its language that demands a response and the large number of quotations and allusions. The dialogic attribute of this poem suggests that Olson's poetry is not an expression of the poet's ego, but a combination of various voices in the process of composition.
关键词
奥尔森 /
巴赫金 /
投射诗 /
对话理论 /
受话性
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Key words
Olson /
Bakhtin /
Projective Verse /
Dialogism /
addressivity
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参考文献
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脚注
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基金
教育部人文社科规划基金项目(13YJA752009)
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