唐娜·哈拉维在新的语境下延续了她的代表性著作《灵长类视觉》的主题，重点论述了文化 －历史 －符号实践中人与自然中的灵长类动物被共同塑造为多重意义的赛博格的内在逻辑。实验室中被内置机械装置的灵长类实验动物是通过技术基座进行自我建构的人的镜像，人也是通过动物社会学科学语汇所表达的灵长类动物的镜像。在哈拉维看来，“cyborg（赛博格）”不仅仅是“cybernetic（控制论的）”和“organism（生物体）”的缩合概念，不仅仅是生物意义上的肌体机能的技术改造，而且也是在选择免疫学、遗传学、社会学、保险分析、认知科学、军事话语以及行为与进化科学 －文化话语实践中完成的象征界改造。可以说，在历史 －文化 －物质的象征实践中被书写的自然及其生物（包括男人和女人在内）都是技术和文化双重意义上的赛博格。

Donald Haraway's "Morphing in Order: Flexible Strategies, Feminist Science Studies Research, and Primate Re-visualization" continues the themes in her representative work "Primate Vision" in a new context. The text focuses on the internal logic in which humans and natural primates have been molded into a multi-meaning "cyborg" by means of cutural-hitorical-symbolic practice. The primate experimental animals with built-in mechanical devices in the laboratory are the mirror images of humans who construct themselves through a technological base ，and humans are also the mirror images of primates expressed through the scientific vocabulary of animal sociology. According Haraway, "cyborg" is not only a condensed concept of "cybernetic" and "organism", not but also the trans-formation made in crossed practical field of selective immunology, genetics, sociology , insurance analysis, cognitive science，military discourse , and behavioral and evolutionary science-cultural discourses. only a technical-biological transformation of body function. It can be said that nature and its creatures ( including the bodies of men and women ) written in the symbolic practice of history-culture-material are "cyborgs" in the dual sense of technology and culture.