
“新主流”视域下中国电影的类型创新与工业美学探索——以《长津湖》与《长津湖之水门桥》为个案
“新主流”视域下中国电影的类型创新与工业美学探索——以《长津湖》与《长津湖之水门桥》为个案
Genre Innovation and Industrial Aesthetics Exploration of Chinese Films from the Perspective of New Mainstream: A Case Study of Changjin Lake and Shuimen Bridge
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